“Denial” Makes the Facts Hard to Ignore

by Rita Cook, President, North Texas Film Critics Association on October 11, 2016 in Entertainment, Film,
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Based on the book History on Trial: My Day in Court with a Holocaust Denier the film “Denial” is Oscar primed. Perhaps that is part of the reason the film has been released at just the right time for upcoming award consideration.

The movie is based on the story of university professor Deborah E. Lipstadt, who goes up against World War II historian David Irving in a book about Holocaust deniers. Irving accuses her of libel and this sparks a legal battle for historical truth. The overall trial takes a number of years, but Lipstadt and her legal team prevail. In English, libel law it states the burden of proof is with the accused meaning that Lipstadt had to prove the Holocaust did happen.

Rachel Weisz delivers a strong portrayal of professor Deborah E. Lipstadt. Courtesy photos
Rachel Weisz delivers a strong portrayal of professor Deborah E. Lipstadt. Courtesy photos

Actress Rachel Weisz portrays Lipstadt, who we get the idea will stop at nothing to fight prejudice. Weisz’ character never quite lives up to the potential we know must be there in order for her to take on such a court battle. In fact, this was a bit of a new “character-type” for Weisz and it is not my favorite role for her, but she does carry the character successfully. It’s just that “Denial” never seems to build the right momentum so Weisz comes across a bit more dull than in other films where she soars like in “The Constant Gardener,” “The Fountain” or “Youth.”

Playing out as a courtroom legal drama Tom Wilkinson comes through in his role as Lipstadt’s Scottish lawyer. Her additional legal team includes Anthony Julius played by Andrew Scott who is a British solicitor who represented Lady Diana in her divorce case. It is also worth noting that during the actual trial Lipstadt’s legal team never allowed her to take the stand and they refused to call forward holocaust survivors either.

One standout is the scene shot at Auschwitz, shot in the morning with snow on the ground and a fog in the air. It does set the tone of what is at stake in the lawsuit. Particularly when the camera pans across the massive heap of suitcases and shoes set behind a case in a real exhibit that can be seen at Auschwitz even today as a reminder.

The playwright/screenwriter David Hare wrote the script based on the original book, but director Mick Jackson played it a bit too safe overall on the implementation. Even though the subject is strong, the actors never seem to be given the chance to rise to the occasion. The story never takes that intense turn that keeps the viewer anticipating the next move. However, “Denial” is still worth a go see for the historical significance.